TRANSMISSION GALLERY
  • Exhibitions
    • Daniel McClain: Do Over
    • Suzanne M Long: Get A Head
    • Jeannie O'Connor: Framing Identity
    • William Rhodes: Saints and Heroes
    • Gallery Showroom
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      • Robin L. Bernstein: Hope Dies Last
      • Paula Bullwinkel: Everything That Rises
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      • Threads of Change
      • Singing to the Difference
      • Flesh and Frame
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    • PINT SIZE 3
  • Art Online
    • Painting
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  • Artists
    • Robin L. Bernstein
    • Karl X. Hauser
    • Mac Mechem
    • Larry Austin
    • Sachiko Miki
    • Jeannie O'Connor
    • William Rhodes
    • Livia Stein
    • Dave Yoas
  • Contact
  • Visit
  • Exhibitions
    • Daniel McClain: Do Over
    • Suzanne M Long: Get A Head
    • Jeannie O'Connor: Framing Identity
    • William Rhodes: Saints and Heroes
    • Gallery Showroom
    • Past Exhibitions Oakland
      • Robin L. Bernstein: Hope Dies Last
      • Paula Bullwinkel: Everything That Rises
  • Events
  • News
    • William Rhodes: Throughlines at Sanchez Art Center
    • Satellite Projects
      • Threads of Change
      • Singing to the Difference
      • Flesh and Frame
      • TG San Francisco
  • Artist's Opportunities
    • PINT SIZE 3
  • Art Online
    • Painting
    • Drawings
    • Prints
    • Sculpture
    • Jewelry & Accessories
  • Artists
    • Robin L. Bernstein
    • Karl X. Hauser
    • Mac Mechem
    • Larry Austin
    • Sachiko Miki
    • Jeannie O'Connor
    • William Rhodes
    • Livia Stein
    • Dave Yoas
  • Contact
  • Visit
Search
Picture
Dana DeKalb, Utopia, acrylic on canvas 30” x 30"

First In Show

Sarah Bass for Midbrow, January 21, 2025
Sweet and disarming, the coy smiles and friendly but frequently distant eyes that greet viewers in Marsha Balian’s body of work stare out from their small wooden panels. With their mismatched features and improbable bodies, born of decades of collected ephemera, it is easy—and in fact important— to project a narrative of your own onto the figures. Balian’s “hope is that the viewer can access whatever stories it conjures for them,” and “Autofiction,” on view now at Transmission Gallery, offers a multitude of opportunities for just that sort of storytelling.

Though titled, and featuring a hefty portion of portraiture-focused works, Balian left the exhibit intentionally vague, with no “specific theme,” just the goal of experimentation, to “let the work tell me where it wanted to go.”
Off it went.  Read More...

Robin L. Bernstein
New 48 Hills Interview

Read the 48 Hills interview
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Dana DeKalb, Utopia, acrylic on canvas 30” x 30"

As ideas settle and paint dries, Dana DeKalb’s
​fantastical world comes to life

Mary Corbin for 48 Hills, September 29, 2023
Is artist Dana DeKalb telling us new, fantastical stories—or reflecting our own back to us? Contemplative imagination, miracles afoot, or cautionary tale? All these notions may be true. In paintings that are mostly small in size, her attentive illustrative technique draws us in, where an unfolding intimate fable keeps us there.

DeKalb was born in Sumatra, Indonesia and grew up in New York, Karachi, Pakistan, and Australia. Her father was a petroleum engineer for Standard Oil, Esso, and Exxon and was posted to mostly developing countries. DeKalb says this constant movement left her with an appreciation for other cultures and different ways of looking at the world.   Read More...

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Livia Stein, Medley (2022). Mixed media on paper

In order to feel alive: The paintings of Livia Stei

Mary Corbin for 48 Hills, May 11, 2023
The job of an artist, according to Livia Stein, is to translate thoughts and feelings into a visual language that others might appreciate. Her mission is to contribute something to the world that enhances our lives.
​
“I make art because it is what I do best. Because I have to, in order to feel alive. There is no life without art. Someone said that art is a window to the soul. I believe that. Without art, a culture withers and dies,” Stein told 48hills.

Her work is whimsical, and while sometimes irreverent, it’s mostly optimistic. Stein is inspired by many things; history, literature, folk art, and music, among them. Travel, often to India over the past 20 years, has been a muse as well.
  read more...
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Dave Yoas, Same As It Ever Was, cut tin collage, 30” x 30

​Tin man from El Sobrante:
​Dave Yoas turns the antiquated upside-down

The artist's upcycled toy collages bring the vintage into new light.
Mary Corbin for 48 Hills, August 30, 2023
Self-taught artist Dave Yoas is a veritable tin man. Cutting, disassembling, and hand-stamping the material until it forms part of colorful, detailed collage works, the artist shares his world of flamboyant characters who take up residence in a riot of color and vivid re-imaginings. Yoas brings iconic vintage objects into a contemporary light by addressing sociopolitical themes, tucked inside eye-catching nostalgic whimsy.

Of particular interest is his use of antique lithographed tin (more familiarly, tin-litho) toys. Designed on sheet iron that’s been plated with a protective layer of tin then decorated using cost-effective offset lithography, tin-litho toys originated in Germany in the late 1800s.  Read More...

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Anthony Riggs at Transmission Gallery
Colored mud and ancient magic:
​artist Anthony Riggs’ dualities of paint.

Mary Corbin for 48 Hills, April 19, 2023
The job of an artist, according to Livia Stein, is to translate thoughts and feelings into a visual language that others might appreciate. Her mission is to contribute something to the world that enhances our lives.
​
“I make art because it is what I do best. Because I have to, in order to feel alive. There is no life without art. Someone said that art is a window to the soul. I believe that. Without art, a culture withers and dies,” Stein told 48hills.

Her work is whimsical, and while sometimes irreverent, it’s mostly optimistic. Stein is inspired by many things; history, literature, folk art, and music, among them. Travel, often to India over the past 20 years, has been a muse as well.
  read more...
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Dana DeKalb, Utopia, acrylic on canvas 30” x 30"

Within wood panels, Marsha Balian weaves
intimate found-object tales

Mary Corbin for 48 Hills, March 9, 2022
The "hunter-gatherer" artist scours for materials like children's blocks and antique household fixtures to create complex stories.

Artist Marsha Balian creates playful compositions with found objects, collage, and paint on wood panels. Curious characters emerge from a theatrical backdrop of pattern, color and texture, posing as if they’ve been waiting for our arrival with our single question, “What’s your story?”
“I never want to be too literal since stories in life don’t always have a happy ending. I play with humor as much as possible,” Balian told 48 Hills. 
Retired from a 36-year career in health care, primarily as a nurse practitioner for Kaiser Permanente’s Oakland Medical Center, she attributes her former daily immersion in myriad tales as a contributing factor to her narrative style. Nothing fascinates her more than hearing other people’s stories.
 Read More...


The Irony of "Fever Dream,"
​an Interview with Karl X Hauser
by Andrew McAleavey,  JULY 21, 2022
“Fever Dream” is a deeply ironic descriptor of Karl X. Hauser’s work. The term connotes illness, psychosis; it’s rife with otherness. In lucid moments, we slough off such things, relegating them to the deepest recesses of our subconscious. Calling this work a fever dream, invoking otherness, risks letting the viewer off the hook too easily – Hauser’s work is deeply relatable, taking on our world in skewered perspective with raw honesty and emotional range. Yet it’s that very sense of otherness, that playful, otherworldly audacity in his work, that lets him get away with it all.
​

Read More...
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Karl X. Hauser, fever dream no. 5 
​styrofoam, wire, string, epoxy resin / 12 x 14 x 12 inches

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Visual Art Source Review: 
Daniel McClain, and Claudia Tarantino: “Found Object Facsimile”
by DeWitt Cheng
Continuing through July 17, 2022

The puritanical taboo against mimesis, or imitation, is thankfully no longer in fashion in the art world. Even at the height of The Age of Theory it made no more sense than the proscriptions against figurative art in the Jewish, Islamic, or Protestant Reformation traditions. As Willem de Kooning said to Philip Guston after leaving a reception of uninteresting art, “We don’t have to think about that anymore.”
​
Actually, the imitation of (and improvement on) observed reality is both an ancient and magical property of art. Three Bay Area artists who employ illusionism to powerful effect are featured in “Found Object Facsimile.” Daniel McClain’s mixed-media drawings on deconstructed books, Claudia Tarantino’s exquisite sculptural still lifes in porcelain, and Bill Abright’s Surrealist ceramic/mixed media birds not only fool the eye with their brilliantly deceptive evocations of found materials, but also delight us with their wit and charm. Trompe-l’oeil, meet trompe-l’esprit. Fool the eye, trick the brain, but benignly so.
Robin Bernstein, “The Arc of History”
DeWitt Cheng for Democracy Chain, May 2022
A good candidate for such a revival was Robin Bernstein’s recent “Beauty and Terror” exhibition (at Transmission Gallery in Oakland in 2019). The show was a magnificent commemoration of the Holocaust, exhaustively researched, visually compelling and emotionally cathartic. The eighteen “string paintings” — eighteen will be the final number of pieces in the series, symbolizing ‘life’ in Jewish numerology — are affecting on several levels: as a pure aesthetic experience; as an intellectual and emotional catharsis; and as a demand that such horrors never recur. Bernstein’s deep dive into history informs her resplendent commemorative plaques, replete with putti, banner inscriptions, and simulated Baroque frames. They rescue history from oblivion.  read more...
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Robin Bernstein, “Lorenzo's Primo,” 2019, string and wax on wood

Visual Art Source​
Garry Knox Bennett
Transmission Gallery, Oakland, California
Review by DeWitt Cheng
“Illumination: Time, Containment and Bling” includes twenty-three table lamps, boxes and clocks by Garry Knox Bennett, the legendary Bay Area artist and craftsman who is renowned for chairs, tables, sideboards, desks and jewelry. Several pieces installed in a gallery vitrine match exquisite craftsmanship with Dadaist/Funk humor and wit. If the Bauhaus, that German academy of modernist style, was originally intended to marry traditional guild-based craftsmanship with modern technology and a machine esthetic, Bennett can be said to embody its beau idéal.
Read more...
​https://www.visualartsource.com/index.php?page=editorial&pcID=27&aID=5749
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October 23 - November 27, 2021
More About the Show
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East Bay Express: Pick of the Week
Livia Stein

There are minimalists and then there are maximalists, like the East Bay’s Livia Stein, who has created an imaginary world that is partly surrealist, partly expressionist, and always vividly colorful, engaging, weird and inexplicably cheerful. The artist is back at Transmission with more than 50 oil paintings on canvas and mixed-media works on paper, in a show entitled Almost Human, which befits her universe of animal-people hybrids, some suggestive of puppets or kachina dolls, caught in enigmatic encounters. “Two Beasts” depicts the meeting of two parrot-beaked bipeds, with one bowing to the other. “Two Creatures,” by contrast, has its couple standing back to back, as if sulking. In “Caged,” a crowned and gowned woman with a long proboscis stands beside a metal cage from which two bizarre creatures emerge. A tall masked figure holds her leashed airborne pet in “Black Bird Flies,” while a round-bodied doll bobs disconsolately in the water in “Figure in Pink.”
— DeWitt Cheng
East Bay Express, 2/26/20. Funny Strange

East Bay Express: Pick of the Week
​Karl X. Hauser at Transmission Gallery 

Monsters + Friends is a collection of the recent work of sculptor Karl X. Hauser, all made since his solo show two years ago, Failed Repression: I Tried to Make This Pleasant. The funny and strange denizens of his carnivalesque imagination — sculptures in cast aluminum, cast bronze, kiln-formed glass, and drawings in graphite, watercolor and crayon — fill the gallery, making for a total environment of cheerfully absurd grotesquerie. “Drawing lets me have fluid thoughts, internal dialogues, and teaches me fearlessness,” he said. “The drawings inject characters and sets into my sculpture, which also incorporates castings of found materials, cut up and reassembled.” Hauser’s makeshift brainchildren, pieced-together scraps brought to life — e.g., The Wild Ride, The Wrestler, Charming Personages, and The Academy in Peril — may evoke cartoons and the bizarre “personages” of Jean Dubuffet, as well as a certain Karloffian creature assembled from available materials. Artist talk and closing reception, January 25. 2-4 p.m.
— DeWitt Cheng
January 17, 2020
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​Photo by DeWitt Cheng: M. Louise Stanley, Bad Girl
EastBay Express
​
Jocoseriosity 

First Thursday-Saturday of every month, 12-6 p.m. Continues through Sept. 21
Voltaire once wrote that tragedy and comedy should never mix; it was one of his few errors, for what is Candide but an ironic look at life’s tribulations? M. Louise Stanley and Diana Krevsky take humorous aim at new follies — same as the old follies. Stanley’s nine paintings on paper in No Laughing Matter feature her art-history-inflected satires on contemporary life: “Bad Girl” depicts a surly, spit-curled temptress nursing and drink and a smoke in a bar, while “Suffer the Little Children” shows a painted sculpture of a priest and two little boys — a plaster saint, apparently. Also included: protest signs painted by Stanley and friends. Krevsky’s ten assemblages and acrylics on sculptured (upholstered?) canvas in Show and Tell parody art history (“SaraList Painting”), art as business (“Pretty As A Picture”), media sensationalism (“Terror and Horror”) and even the amorous dalliances of revolutionaries (the Magrittean masked couple in “Zapatista Romance”). 
— DeWitt Cheng

​September 4, 2019

Visual Art Source
pick of the week September 6, 2019
​
Bay Area artists M. Louise Stanley and Diana Krevsky perform a pro bono publico service with their humorous, trenchant looks at the American scene, Anno domini 2019. Stanley’s nine paintings on paper in “No Laughing Matter” examine contemporary follies and foibles through the lens of art and art history, a product of many trips to European museums and hours spent sketching from the Old Masters. Stanley wreaks gentle feminist vengeance on the abuses of power wrought by the unfair sex. “Bad Girl” depicts a surly, spit-curled temptress nursing a drink and a smoke in a bar, glowering at the disapproving saints set around her in golden rondels. A trio of lawyers, in “Just-Us Served,” take oaths on a stack of legal books, while a statue of Justice lifts her blindfold in alarm. “Suffer the Little Children” depicts the painted sculpture of a priest and two prepubescent boys, as observed by a skeptical tourist. Also included are handmade protest signs (e.g., “Keep Your Laws Off My Body!” with pugnacious fallopian tubes) painted by Stanley & friends.

Krevsky’s ten assemblages and acrylics in “Show and Tell” are bas reliefs on upholstered canvas that likewise turn a gimlet eye on art and politics. “SaraList Painting” is a miniature exhibition of several paintings in a variety of styles, including: a faux framed booklet cover on Walter T. Fosterism, as explained in “How to Paint Red Barns”; a magazine clipping quoting the artist Sara List (“I just let the paint do what it wants to do.”); and a reproduction of a Chronic News review written by one Thomas Alldark. Krevsky mocks art sales infected by show business and marketing strategies in “Pretty as A Picture,” with its scantily clad blonde-bimbo model. Media sensationalism is the target of “Terror and Horror,” with its newspaper front page if-it-bleeds-it-leads headlines juxtaposed with back-page women’s underwear ads. Utopian revolution is not spared, as in “Zapatista Romance,” with its masked couple in profile, a Renaissance cameo via Magritte.

-DeWitt Cheng, August, 2019
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Diana Krevsky, Pretty as a Picture, detail 
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Diana Krevsky, Zapatista Romance

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Mac Mechem, The Russian Connection
EastBay Express
Mac Mechem and Robin Bernstein at Transmission Gallery
Politics is back in art, bigly, these days (despite the bizarre mural censorship flap in San Francisco). Two artists who excel at infusing social commentary with aesthetic vision are Mac Mechem and Robin Bernstein. Mechem’s deiciously satirical oil paintings and photocollages in The Russian Connection take aim at the insanities and inanities of the Trump regime. A blond manchild beams at Daddy Vlad; a drunken swell gropes a statue of blind Justice; a cardinal fondles nubile Teletubbies; moguls achieve their dream of universal dirty energy. Bernstein’s powerful relief paintings of string and wax on wood in Beauty and Terror simulate Baroque commemorative decorations, but what deeds (read the handout) they celebrate! Hamburg’s Police Battalion 101, a death squad composed of superannuated patriots; the 50,000 Jews of Isai, Romania, nearly exterminated in a pogrom; the “Yids of the city of Kiev,” machine-gunned into a mass grave at Babi Yar. History isn’t history. 
— DeWitt Cheng


June, 2019

Visual Art Source
TRUMP CARD: at Transmission Gallery
​

Excerpt: "
And so now is assembled “Trump Card,” an exemplary demonstration of First Amendment freedom of expression that brings together Enrique Chagoya, Travis Somerville and emerging artists Patrick Martinez and Mac Mechem."

Review by DeWitt Cheng
July, 2018
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Mac Mechem, Who's the Fairest of US All

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Anthony Riggs, Star Planter
Oakland Magazine
Fall Arts Guide: THE TRIUMPH OF IRREVERSIBLE TIME: ANTHONY RIGGS
by DeWitt Cheng


September 2016

Visual Art Source
Livia Stein: at Transmission Gallery
by Cherie Louise Turner
March 19, 2016


Oakland Art Enthusiast
Photo Feature: Erik Parra "each devil his own" at Transmission Gallery
January 6, 2016

KALX - "Arts in Review"
Interview with Erik Parra
January 7, 2016

Visual Art Source
Liz Robb: Transmission Gallery
by DeWitt Cheng
August 29, 2015

Oaktown Art
"Transmission Gallery: 'Just Look' Closing Party and Artist Talk"
March 14, 2014


Bay Area A-List
2014 Finalist (top 5): Best Art Gallery

Square Cylinder
"Eva Bovenzi @ Transmission"
By David Roth
February 2014

The Bold Italic
"Rain Cancels Oakland First Fridays Tonight, Art Murmur is Still On"
By Sarah Han

February 7, 2014


US Airways Magazine
Celebrate Oakland: Art & Soul
January 2014

East Bay Express
"CONNECTIONS"
By Sarah Burke

December 6, 2013 - January 18, 2014

San Francisco Chronicle
"A Trapped in Your Mind Feeling"
By Kenneth Baker
April 26, 2013


East Bay Express
"The Anxiety that Artists Feel"
By Alex Bigman
April 17, 2013


Installation of Melissa Pokorny's "Sirens" by ShawTecs Fine Art Installations


Panel Discussion on Cautionary Tales in Art and Literature


Unrestricted: Politics and Art, BP Mandala, Jeremiah Jenkins


Oakland North
"Art Gets Political at West Oakland Gallery"
Ashley Griffin
October 5, 2012

Oakland North
"Contemporary Art Gallery Opens in West Oakland"
Brittany Schell
August 23, 2012
TRANSMISSION GALLERY 
OAKLAND

​770 West Grand Ave., Suite A,
Oakland, CA 94612

​
Open Thurs-Sat, 12 to 5 pm
till 8 pm on the  first Friday of the month
​and by appointment

Accessibility:
This a 2nd floor art gallery, accessible by stairs.

​Transmission Gallery Newsletter Signup
Picture
  • Exhibitions
    • Daniel McClain: Do Over
    • Suzanne M Long: Get A Head
    • Jeannie O'Connor: Framing Identity
    • William Rhodes: Saints and Heroes
    • Gallery Showroom
    • Past Exhibitions Oakland
      • Robin L. Bernstein: Hope Dies Last
      • Paula Bullwinkel: Everything That Rises
  • Events
  • News
    • William Rhodes: Throughlines at Sanchez Art Center
    • Satellite Projects
      • Threads of Change
      • Singing to the Difference
      • Flesh and Frame
      • TG San Francisco
  • Artist's Opportunities
    • PINT SIZE 3
  • Art Online
    • Painting
    • Drawings
    • Prints
    • Sculpture
    • Jewelry & Accessories
  • Artists
    • Robin L. Bernstein
    • Karl X. Hauser
    • Mac Mechem
    • Larry Austin
    • Sachiko Miki
    • Jeannie O'Connor
    • William Rhodes
    • Livia Stein
    • Dave Yoas
  • Contact
  • Visit