TRANSMISSION GALLERY
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  • Exhibitions
    • Frank Cole: The House Inside
    • Alternation: Kristie Hansen
    • Gallery Showroom
    • Past Exhibitions Oakland
      • Vessel, An exploration in clay of form, ritual and story
      • Not Heavy: Pacific Rim Sculptors
      • PINT SIZE 3: Small Scale Artwork
      • William Rhodes: Saints and Heroes
  • Events
  • News
    • Satellite Projects
      • Threads of Change
      • Singing to the Difference
      • Flesh and Frame
      • TG San Francisco
  • Collect Art Online
    • Painting
    • Drawings
    • Prints
    • Sculpture
  • Artist's Opportunities
  • Artists
    • Robin L. Bernstein
    • Karl X. Hauser
    • William Rhodes
    • Sachiko Miki
    • Jeannie O'Connor
    • Livia Stein
    • Dave Yoas
  • Contact
  • Visit
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Vessel
​
An exploration in clay of form, ritual and story, curated by Suzanne M. Long
Picture
January 15 – February 28, 2026

Opening Reception
Saturday, January 17th from 1-4 pm

​
Work by James Aarons, Susana Arias, Michelle Gregor, Margaret Keelan, Mattie Leeds, Peggy Loudon,
Kris Marubayashi, Lisa Reinertson, Claudia Tarantino, and Laura Van Duren  
​
Transmission Gallery is pleased to present Vessel: An exploration in clay of form, ritual and story, curated by Suzanne M. Long, on view from January 15 – February 28, 2026.

Drawing on her deep roots in the Bay Area ceramics community, Suzanne M. Long brings together a diverse range of ceramic works that interpret the concept of the "vessel" in expansive and unexpected ways—beyond function, into the realms of ritual, narrative, and abstract form. Included in the exhibition are works by James Aarons, Susana Arias, Michelle Gregor, Margaret Keelan, Mattie Leeds, Peggy Loudon, Kris Marubayashi, Lisa Reinertson, Claudia Tarantino, and Laura Van Duren. Through this collection, viewers are invited to consider how vessels can carry not only physical contents, but also cultural meaning, memory, and personal expression.
 
Vessel noun.
1a: A craft for traveling on water, a watercraft bigger than a rowboat; a ship or boat. An airship.
b: A hollow or concave utensil, a container (such as a cask, bottle, kettle, cup, or bowl) for holding something. A cup, bowl, pitcher, or vase, used for holding liquids or other contents.
c: A human that serves as a receptacle for a spiritual entity to manifest, acting as a spokesperson for that deity. A person into whom some quality (such as grace) is infused.
d: A vessel is a hollow tube or canal that circulates body fluids, most commonly referring to blood vessels (arteries, veins, and capillaries) that transport blood, oxygen, and nutrients throughout the body and remove waste. The term can also refer to other tubular structures that transport fluids, such as the xylem vessels in plants that carry water.

Vessel as Metaphor.
The essential vessel, devised in all cultures to antiquity, is the metaphorical container of all that has been and will be. For early cultures the sky was vessel, containing creation spirits and the departed; earth was mother vessel nestling, chiding and providing.

Scroll down for more information about the artists  and the curator, below the image gallery

PDF Price List HERE  
Images above: Peggy Loudon, Vessels, up to 15”, Lisa Reinertson, Sentient beings, 74“ x 22” x 22“, Laura Van Duren, Rendering, 20” x 32” x 6”
James Aarons' Essay (open edition) individual pages can be purchased online, or email the gallery:

Essay (open edition), page 6

$150.00

James Aarons, 2026, one of a kind porcelain notebook page from the series, Essay (open edition), approx 11 x 8.5 each piece

Collect

Essay (open edition), page 7

$150.00

James Aarons, 2026, one of a kind porcelain notebook page from the series, Essay (open edition), approx 11 x 8.5 each piece

Collect

Essay (open edition), page 9

$150.00

James Aarons, 2026, one of a kind porcelain notebook page from the series, Essay (open edition), approx 11 x 8.5 each piece

Collect

Essay (open edition), page 11

$150.00

James Aarons, 2026, one of a kind porcelain notebook page from the series, Essay (open edition), approx 11 x 8.5 each piece

Collect

Essay (open edition), page 15

$150.00

James Aarons, 2026, one of a kind porcelain notebook page from the series, Essay (open edition), approx 11 x 8.5 each piece

Collect
Contact the gallery with your interest on any piece shown on our website:
large wildly colored and patterned vases with lids that have complex curved shapes, one looks like a dragon
sculpture made of sheets of porcelain that look like sheets on notebook paper with roman numerals drawn on them
sculpture made of sheets of porcelain that look like sheets on notebook paper with roman numerals drawn on them
sculpture of a child holding up their hands with a cloud-like shape with many eyes sitting on their head
flattened shaped vase
sculpture of a young woman with long hair  holding a vase aloft, the vase is formed from fish shapes
woman with whte hair in a black top and yellow long skirt standing next to a sculputre of a life size woman holding a bear cub
sculpture of a colorful woman with an extra long arm wearing a glove
tall woman with large dark glasses standing next to a colorful sculpture of a femail figure
porcelain sculpture that looks like a watering can on top of a wooden stool on top of a wooden crate with a shovel leaning against the stool
woman in a white blouse with a trompe l'oiel sculpture of a watterig can, wooden looking stool and shovel sitting on top af a crate
porcelain sculpture that looks like a tin can with nuts and bolts in it an also with two rusted locks and 4 keys
ceramic sculpture og figs laying in a flower blossom shape and covered by a leaf shape
short woman in white blouse with tall woman in black jacket
sculpture of four figs in a calla lilly shaped blossonmwith a curly stem
figs that look real but are really made of porcelain
porcelain sculputre of two leaves, one on top of the other, the bottom one has a bumpy curling stem
Curvy sculpture made of ceramic amorphic shapes with a clear plastic sleeve encasing a red velvet child's dress looping around one end of it
Woman with short hair and big glasses standing next to a sculpture formed by three bulbously shape sections
ceramic sculpture of a pensive doll with her hand on her face that looks like carved wood
man in a black hat and patterned jacket with tall woman in black jacket
Four textured white bottles
woman with short hair in a beige linen suit with red tie and red sandals standing near a shelf with hand made ceramic bottles
two textured white bottles
James Aarons:
​Artist Statement

I am a reformed modern dancer and ceramic artist who moonlights as a yoga teacher. Clay and yoga share the necessity of exploring space in combination with earthy materials. Plus heat. As if by a gentle stroke of magic, each discipline transforms the ordinary (clay and body) into the extraordinary (vividly colored stony forms and limber consciousness). Whether it’s making a drawing of a line or articulating a direction in space through fluid manipulation, the quality of the movement that creates the mark or gesture is what attracts me most.

My current ceramic work is a collection of imaginary landscapes drawing upon the physical properties of geomorphic processes. Tectonic shifts, glacial moraines, the erosive forces of rain and wind upon sediment – these are the incremental movements I looked to for inspiration. Plus, after years of creating crisp geometric forms with clay and glaze I decided it was time to see what else my materials might offer. Their silting, slaking nature seemed ripe for mining a new direction and a fresh attitude toward the illusion of control.

Conversely, other explorations take me on a journey of time travel. Anonymous photographs haunt my imagination and form the backbone of a series of ceramic prints. When something as temporal as paper is recast as a thin sheet of porcelain, it takes on the perception of permanence. But slip and it will shatter into splinters of cold, sharp dust erasing the images printed upon it back into faded memory.

Teaching yoga rounds out my professional life with public classes in Jackson and Sutter Creek, CA along with a small private practice for students interested in individual care and attention.
​
Exhibitions
What Remains – 2021, Radius Gallery, Santa Cruz, CA
Flow – 2021, Epperson Gallery, Crockett, CA
Light Show, 2019 – Roscoe, Oakland, CA
Ceramic National, 2018 – University of Southern Mississippi, Hattiesburg, MS
Marshes and Salt Flats – Ceramic Paintings, 2017, Roscoe, Oakland, CA
Transference, 2016 – The Clay Studio, Philadelphia, PA
I Have Always Been a Storm, 2014 – NIAD, Richmond, CA
From Heaven to Earth, 2014 – Katie Gingrass Gallery, Milwaukee, WI
Splendid Objects, 2013 – Falkirk Cultural Center, San Rafael, CA
Solo Exhibition, 2013 – Roscoe, Oakland, CA
Julia Terr Annual, 2012 – Gallery 212, Sonoma, CA
Not Just For The Office, 2012 – Katie Gingrass Gallery, Milwaukee, WI
Small Favors VII, 2012 – The clay Studio, Philadelphia, PA
Good Company, 2012 – Petaluma Art Center, Petaluma, CA
American Craft Council Show, 1997-2010, Baltimore, MD
What in the World, 2011 – Commerce Bank of California, Lafayette, CA
Fire and Ice, 2011 – Petaluma Art Center, Petaluma, CA
ACGA @ DAC, 2011 – Davis Art Center, Davis, CA
White, 2011 – Katie Gingrass Gallery, Milwaukee, WI
Five Dimensions, 2010 – Katie Gingrass Gallery, Milwaukee, WI
Eight From ACGA, 2010 – Davis Art Center, Davis, CA
Objects of Virtue, 2009 – Bedford Gallery, Walnut Creek, CA
Small Ceramic Wonders, 2009 – Crossman Gallery, Whitewater, WI
CraftForms 2008 – Wayne Art Center, Wayne, PA
Drawn Lines, 2008 – Idyllwild Gallery of Fine Art, Idyllwild, CA
Flatlanders, 2008 – Richard L.Nelson Gallery – UC Davis, Davis, CA
New West Coast Design, 2008 – SF Museum of Craft + Design, San Francisco, CA
Plates and Platters, 2007 – Pewabic Pottery Gallery, Detroit, MI
Small Works, 2006 – Red Dot Fine Art, Santa Fe, NM
Clay, Color and Composition, 2005 – Idyllwild Gallery of Fine Art, Idyllwild, CA
California Design, 2004 – CCCA, San Francisco, CA
Craft Showcase, 2002-2004 – Museum of Craft & Folk Art, San Francisco, CA
Smithsonian Craft Show, 2003, Washington, DC
Featured Artist, 1997, 2001, 2003 – del Mano Gallery, Los Angeles, CA
Featured Artist, 2002 – Aaron Faber Gallery, New York, NY
Philadelphia Museum of Art Craft Show, 1999, 2000, Philadelphia, PA
Form as Function, 2000 – Maclaren Markowitz Gallery, Boulder, CO
Geometry – Solo Exhibition, 1999 – The Clay Place, Pittsburgh, PA
The Ceremony of Tea, 1995 – Images Friedman Gallery, Louisville, KY
California Design, 1994 – CCCA, San Francisco, CA
Awards
2011 – Award of Excellence, American Craft Council – San Francisco
2009 – Third Place, Ceramics, Scottsdale Arts Festival
2005 – First Place, Members Show, Art Alliance of Idyllwild
Commissions and Collections
Autograph Collection Hotels – Turnberry Isle, Miami, FL
The Ballantyne, Charlotte, NC
Butterfield Country Club, Oak Brook, IL
BVA Group, Houston TX
Children’s Hospital Boston, Boston, MA
FM Global, Johnston, RI
Forest Park Medical Center, Dallas, TX
Fratello Restaurant, Milwaukee, WI
Grand Hyatt, Atlanta, GA
Hotel del Coronado, Coronado, CA
Hyatt Miami at the Blue, Miami, FL
Kaiser Permanente, Tyson’s Corner, VA
Kaiser Permanente, Richmond, CA
Kitsap Credit Union, Bremmerton, WA
Lake Buena Vista Hotel, Orlando,FL
Lenbrook Senior Living, Atlanta, GA
Mayo Clinic, Rochester, MN
MayoSeitz Media, Blue Bell, PA
Montgomery County Circuit Court, Rockville, MD
New York Presbyterian Hospital, New York, NY
Northwestern Mutual, Milwaukee, WI
One Brookline Place Medical Center, Brookline, MA
Park Lane Seaport, Boston, MA
Peninsula Hotel, Hong Kong
Radian Group Inc, Philadelphia, PA
Renaissance Suites, Washington, DC
Ritz Carlton, Dana Point, CA
SFMOMA Museum Store, San Francisco, CA
Sodexo USA, Gaithersburg, MD
Takeda Pharmaceuticals, Milwaukee, WI
Temple University, Philadelphia, PA
TriHealth, Cincinnati, OH
U.S. Embassy, Ottawa, Ontario
U.S. Navy, Philadelphia, PA
Valley Health Center, Milpitas, CA
Wilkes Bashford, San Francisco, CA
Wyndham, Tampa, FL
Publications
Highlights, Art Patron Magazine (March/April, 2018)
Profile – James Aarons, handfulofsalt.com (November, 2011)
The Journey – James Aarons’ long-time dance with ceramics, American Craft (August, 2011)
Contemporary Objects at the SF Museum of Craft + Design, American Craft (February, 2008)
Up Front – Ceramics Monthly (February 2008)
American Art Collector – Alcove Books (2006-9)
Fascinating Art – Amador Ledger Dispatch (June 2005)
The Gallery – Clay Times (September 2002)
Hands in Clay by John Toki – Mayfield Publishing Company (1999)
A Crafty Trio – San Francisco Examiner/Habitat (August, 1997)
Table & Cadeau International (October, 1995)
What’s New – San Francisco Chronicle (August 2, 1995)
Bon Apetit (April, 1995)
90s Pastiche – San Francisco Examiner Magazine (May 15, 1994)

Susan Arias

Internationally recognized sculptor, Susana Arias was born in Panama City, Panama. She has  lived in Santa Cruz, California since 1978.

EDUCATION
B.F.A Sculpture – Newcomb College, Tulane University

INVITATIONAL AND SOLO EXHIBITIONS
2020   Vessel – Epperson Gallery of Cermic Arts – Crockett, California
2017   Yuma Art Symposium 38 , Wood fired Ceramics: The Why and How of Sculpture – presenter – Yuma, Arizona
2016   Art in the Arboretum: Color – UC Santa Cruz Arboretum – Santa Cruz, California
               Rare Earth:National Ceramics Exhibition – Cabrillo Gallery – Aptos, California
               Fired up: Monumental Clay – Palo Alto Art Center – Palo Alto, California
2015   Sailmaker – Monterey Peninsula college Gallery – Monterey, California
2013   Artist of the Year – Museum of Art and History – Santa Cruz, California
2011   Sculptures and Paintings – Galeria Habitante – Panama City, Panama
2007   Nidos de Oropendula, Caballos y Otros Temas – sculptures and paintings – Galeria Habitante – Panama City, Panama
2003   De Esta Vida y Otra – Sculptures & hand made paper wall works – Galeria Habitante – Panama City, Panama
1996   Sculptures – Evolving Space – San Francisco, California
1995   II Bienal “Barro en la Americas – Centro de Arte de Maracaibo Lía Bermudez – Maracaibo, Venezuela
1994   Fletcher Challenge Ceramics Award Exhibit – Auckland, New Zealand
1991   Sculptures – Galeria Arteconsult – Panama City, Panama
1990   Sculptures and Paintings – Galeria Habitante – Panama City, Panama
1989   The Artist Studio: About People, Installation, Gallery of fine Arts, Santa Cruz,   California
1988   Painting the Landscape, Installation, San Jose Institute of Contemporary Art, San Jose, California
Sculptures, Brookman Gallery, Los Angeles, California
Sculptures, Pacific Grove Art Center, Pacific Grove, California
Sculptures, Jerome Evans Gallery , Sacramento, California
1987   Sculptures, Paintings,  Museum of Contemporary Latin American Art, OAS, Washington, DC
1986   Urban References – Sculptures, Paintings, Installation – Arteconsult – Panama City, Panama
1985   What Grows out of the Art Center Case, Installation, Santa Cruz Government Center, Santa Cruz, California
               What Grows out of the Government Center Case, Installation, Santa Cruz Art Center, Santa Cruz, California
1998   Works on Paper – Koret Gallery – Palo alto, Ca. Honorable Mention

SELECTED COLLECTIONS
Depot Park – Santa Cruz, California – Creatures from the Bay, bas-relief sculpture, clay and cement
Polo Grounds State Park – Aptos, California – Polo Grounds Arch – ceramic tile Installation over cement arch
Santa Cruz Government Center collection – Santa Cruz, California – Winter Trees, ceramic sculpture; Green Trees, ceramic sculpture; Racing Through the Airport, painting.
UCSC Arboretum – Santa Cruz, California – D. Green Memorial Bench, ceramic tiles over cement bench
Sierra Azul Nursery and Gardens – Watsonville, California – Red Trees with Green Leaves, high fired ceramics; Bird on a Twig, high fired ceramics
Museum of Art and History collection – Santa Cruz, California – Some Eggs Have Priority, ceramic sculpture
Polo Grounds State Park – Aptos, California – Polo Grounds Arch, architectural ceramic sculpture
Santa Cruz Police Department – Santa Cruz, California – Our City, Our Town, ceramic tiles
Aptos Jr. High – Aptos, California – Sentry, architectural ceramic sculpture
 Museo del Barro – Caracas, Venezuela – Yellow Cactus, pit fired clay and wood
 Compañia ASSA – Panama City, Panama – Sobrevivencia Animal – bronze
Happy Valley Rd. – Santa Cruz, California – Anna’s Wall, cement, coal & wood sculpture
Traffic Circle on King St. – Santa Cruz, California – Light Time, working sundial, ceramic tiles, stainless steel and dryvit
Trescony St. – Santa Cruz, California – California Creatures – Clay installation
 Coast Commercial Bank – Aptos, California – Black Box, monotype
 Swift St. center islands – Santa Cruz, California – Spring to Fall – high-fired ceramic and cement
Highway 1 at Porter St. & Bay Ave. exit – Santa Cruz, California – Finding our Past, ceramic and cement pas relief sculpture
 Museum of Modern Art of Latin America – OAS – Washington, D.C. – Urban Reference, rammed-earth and mixed media sculpture
Bolivarian Museum of Contemporary Art – Santa Marta, Colombia – Man and Nature, clay and wood sculpture
Casa de las Americas – Habana, Cuba – Urban Reference #651,  rammed-earth sculpture
Museo de Arte Moderno – Santo Domingo, Dominican Republic – Isla – cement & mixed media sculpture
Museum of Contemporary Art – Panama, City, Panama – Seated Man, bronze
Deutsch-Südamericanische Bank – Panama City, Panama – Gallina, bronze

ART EVENTS ORGANIZED BY SUSANA
2019Sc   ulpture IS 2019 – juror, Pajaro Valley Arts, Watsonville, California
2018   Sculpture IS 2018 – juror, Pajaro Valley Arts, Watsonville, California
              Scotts Valley Art Walk – juror, Scotts Valley, California
2017   Sculpture IS 2017 – juror, Pajaro Valley Arts, Watsonville, California
              Curator of exhibits and installations – Environmental Installations -UC Santa Cruz Arboretum   
             Art in the Arboretum: Environmental Installations – May – November – UCSC – Santa Cruz, California
2016  Sculpture IS in the Gallery – Co-curator sculpture exhibit, Pajaro Valley Arts, Watsonville, California
               Sculpture IS in the Garden – Co-curator sculpture exhibit, Sierra Azul Nursery and Gardens, Watsonville, California
               Demonstrations and Talks – organizer Cabrillo Gallery, Aptos, California
               Demonstrations – organizer  Pajaro Valley Arts, Watsonville, California
                Curator of exhibits and installations – UC Santa Cruz Arboretum
                Art in the Arboretum: Sculpture – June – October – UC Santa Cruz, California
               Art in the Arboretum: Color – November – January – UC Santa Cruz, California
               Demonstrations and workshops: Sculpture/Blaksmithing – August – UC Santa Cruz, California
              Demonstrations: Sculpture/welding and composition – November – UC Santa Cruz, California

GRANTS
2013   Artist of the Year  – Elected by the Santa Cruz County Arts Commission -Santa Cruz, California
2012   Project of the Year  – Beach Area Roundabout – Depot Park -Santa Cruz, California
               Grant from the Cultural Council  – For production of Experience Clay event
                Santa Cruz Archaeological Society Presidential Award – For artistic effort and contribution toward archaeological awareness
                 Artistic Achievement and Advancement of Archaeological Awareness – Honor given by the California Archaeology Society – “Finding Our Past”
2000   Distinguished Artist – Santa Cruz Art League – Sculptures and Paintings – Santa Cruz,  California
1988   National Endowment for the Arts Fellowship Grant
1985   Primer Simposio Ibero- Americano de Escultura – Museo de Arte Moderno – Santo Domingo, Republica Dominicana 

Michelle Gregor:
Considered a leading figure in the second generation of Bay Area Figuration, Gregor is a multifaceted artist who works in clay, bronze, paint and drawing media, handling each medium with a process-oriented and intuitive approach that results in painterly forms and images. She has a masterful, intuitive sense of color that unifies her productions in various media and endows all of her work with a painterly vigor that reflects her Bay Area roots and also her deep understanding of Abstract Expressionism.

Over time, the human figure has become one of Gregor’s most important vehicles. “The figure has served as the best method of transport throughout my many years of practice,” Gregor notes. “As a source, it seems infinite.” The development of each figure is motivated by a search for freshness and also a hint of artistic insecurity. Gregor acknowledges that between projects she often wonders, “Will I ever do anything good again?” When she begins a new work she is guided entirely be her intuition and her excitement about creating something new.

Gregor’s sculptures have remarkably nuanced surfaces that are the end product of a great deal of improvisation and hard work. Each piece goes through as many as seven or eight firings at a high temperature (low stoneware) setting that gives them their characteristic hard surfaces. Using water as a medium, Gregor applies color in pools, patches and slashes, letting gravity have its way with the wet pigments. “I like working with water as a medium for color both in fired clay work and on canvas and paper,” Gregor explains. “It pools, drips, follows contour, dries slowly and has a beautiful life of its own.”

The finishes of Gregor’s ceramics have a patina-like richness that testifies to the hands-on painterly approach that is a unique feature of her work. “When I was a painting student I was accused of being a scrubber,” Gregor explains self-deprecatingly. In fact, the artist’s additive/subtractive approach to coloration is one of the signature elements of her style, endowing her works with a suggestion of age while also giving evidence of how many stages each figure has evolved through. “I want to develop a patina on the surface that shows the depth and the passage of time.” ~ John Seed, 2014

Her architectural work may be seen in such locations as the Spa at Pebble Beach and The Olympic Club on Sutter Street in San Francisco. Michelle’s sculpture has been described as lyrical, graceful and spiritual. The lines and marks in a figurative ceramic sculpture tell you the structural and decorative cuts and movements made by an artist. A CV reveals a similar exploration and achievements of an artist’s lifelong practice.
​
Education
Master of Fine Arts (1994), San Francisco State University, Outstanding M.F.A. Candidate, Art Department
Bachelor of Arts, Studio (1984), University of California, Santa Cruz, University of California, Santa Cruz Chancellor’s Grant (1983)

Teaching
Tenured Professor of Ceramics and Sculpture (2002-present), San Jose City College, Department of Fine Arts, Division of Humanities and Social Science

Selected Bibliography
  • Material Matters, Catalogue, Seager Gray Gallery (2023)
  • Women of Northern California, John Natsoulas Press (2023)
  • The Figure In Clay, by Cristina Cordova, Quarto Publishing (2022)
  • A World Perspective of Art History, 1400CE to the 21st Century, by Guslin and Gustlin, LibreTexts (2022)
  • 31 Women, Catalogue, Whitney Modern (2020)
  • Bay Area Clay - A Legacy of Social Consciousness, Catalogue (2017)
  • Art and Perception International - Issue 96 (2014)
  • 500 Figures, Lark Press (2014)
  • Michelle Gregor, John Natsoulas Press (2013)
  • Art and Perception International - Issue 88 (2012)
  • 30 Ceramic Sculptors, John Natsoulas Press (2012)
  • Hands in Clay, by Speight and Toki. Mayfield Publishing (2006) 
  • Artweek, “Michelle Gregor @ Space 743” (2001, 1995)
  • Damn Fine Art by New Lesbian Artists, by Cherry Smyth, Cassell Publishing (1996)

Selected Visiting Artist Lectures and Workshops
  • International Artist Exchange Residency. Saint Raphaël, France (2023 and 2024)
  • Blackberry Hill Art Center, Orford, NH (2024)
  • National Council on Education for the Ceramic Arts (NCECA), John Natsoulas Gallery, Davis, CA, demo “Michelle Gregor and Clayton Keyes”, (2022)
  • John Natsoulas Gallery, Michelle Gregor and Adrian Arleo, Zoom Workshop (2020)
  • John Natsoulas Gallery, Davis, CA (2020, 2021)
  • Gaya Ceramic Center, Bali Indonesia (2018)
  • Harvard University, Office for the Arts at Harvard, Allston, MA (2018)
  • Sonoma Community Center, Sonoma, CA (2018)
  • Estudio Paloma, San Miguel de Allende, Mexico (2017-2019)
  • Mendocino Art Center, Mendocino, CA (2016-2019)
  • Sierra Nevada College, Incline Village, NV (2012, 2015) 
  • Mills College, Oakland, CA (2013)
  • National Council on Education for the Ceramic Arts (NCECA) Panel, John Natsoulas Gallery, Seattle, WA (2012)
  • San Jose State University, Art Academy and Artist Talks (Sabbatical Research), San Jose, CA (2011) 
  • California Conference for Advancement Ceramic Art (2011, 2018, 2020)
  • Merritt College, Oakland, CA (2005-2007, 2016)
  • Cabrillo College, Santa Cruz, CA (2006)
  • San Jose State University, San Jose, CA (2003)
  • State University of New York, Plattsburg, NY (1997)
  • Pence Gallery, Davis, CA, Lecture “Expressive Figures in Form” (1997)
    ​
Selected Commissions and Collections
  • American Museum of Ceramic Arts, Pomona, CA, The Oracle acquisition (2013)
  • Bronze Exterior Freize, Olympic Club, San Francisco, CA Public Sculpture Installation (2004)
  • Private Architectural Residential Commissions - August Company, Oakland, CA (1995-2004)
  • Architectural Tile Mural Installations, The Spa at Pebble Beach, Pebble Beach, CA (2002) 

Solo Exhibitions
  • Palace of Leaves, Triton Museum, Santa Clara CA (2024) (catalogue)
  • Michelle Gregor, Sue Geenwood Fine Art, Laguna CA (2023)
  • Michelle Gregor, Brumfield Gallery, Astoria, OR (2022)
  • Solo Exhibition, Udinotti Gallery, Scottsdale, AZ (2021)
  • Michelle Gregor, Brumfield Gallery, Astoria, OR (2020)
  • Confluence, San Jose City College Art Gallery, San Jose, CA (2019)
  • Confluence: Michelle Gregor, John Natsoulas Gallery, Davis, CA (2018)
  • Susan Cooley-Gilliom Artist in Residence: Michelle Gregor, Blue Line Arts, Roseville, CA (2018)
  • Tributary, Abrams Claghorn Gallery, Solano, CA (2016)
  • Aeviterna, John Natsoulas Gallery, Davis, CA (2013) (catalogue)
  • New Work, Roscoe Gallery, Oakland, CA (2017, 2013)
  • Whirl, Space 743, San Francisco, CA (2005)
  • One Hundred Heads and Hands, Space 743, San Francisco, CA (2003)
  • inVocation, Space 743, San Francisco, CA (2000)
  • Soul’s Container, Space 743, San Francisco, CA (1997)
  • New Work, Space 743, San Francisco, CA (1995)
  • Expressive Figures in Form, Pence Gallery, Davis, CA (1995) 

Selected Group Exhibitions
  • Material Matters, Seager Gray Gallery, Mill Valley, CA (2024) (catalogue)
  • I’m All Clay, You’re All Clay, B. Sakata Garo Gallery, Sacramento, CA (2024)
  • Persons of Interest, Seager Gray Gallery, Mill Valley, CA (2023)
  • es·ti·val: of, relating to, or occurring in the summer, Seager Gray Gallery, Mill Valley, CA (2023)
  • Bay Area Figurative, John Natsoulas Gallery, Davis, CA (2023)
  • Women Of Northern California, John Natsoulas Gallery, Davis, CA (2023) (catalogue)
  • Linda Christensen, Michelle Gregor, Kathy Jones, and Sandy Ostrau, Sue Greenwood Fine Art, Laguna Beach, CA (2023)
  • Linda Christensen, Suzie Buchholz, and Michelle Gregor, Sue Greenwood Fine Art, Laguna Beach, CA (2022)
  • Tree of Ceramics, NCECA Group Concurrent Exhibition, 56th Annual Conference of the National Council on Education for the Ceramic Arts, Fertile Ground, John Natsoulas Gallery, Davis, CA (2022)
  • Tap Roots, NCECA Group Concurrent Exhibition, 56th Annual Conference of the National Council on Education for the Ceramic Arts, Fertile Ground, Epperson Gallery of Ceramic Arts, Crockett, CA (2022)
  • Relics and Rebirth, NCECA Group Concurrent Exhibition, 56th Annual Conference of the National Council on Education for the Ceramic Arts, Fertile Ground, Sacramento Fine Arts Center, Sacramento, CA (2022)
  • 30 Ceramic Sculptors, John Natsoulas Gallery, Davis, CA (2010-2024)
  • Continuous Clay: Trends & Innovations, Marin Museum of Contemporary Art (MarinMOCA), Novato, CA (curated by Jeff Downing, Professor of Art and Head of Ceramics at San Francisco State University, CA) (2021)
  • Bay Area Figurative, John Natsoulas Gallery, Davis, CA (2021)
  • Summer Group Show, Whitney Modern, Los Gatos, CA (2020)
  • Group Exhibition, Udinotti Gallery, Scottsdale, AZ (2020)
  • Surface, Place and Time, Toby’s Feed Barn, Pt. Reyes Station, CA (2020)
  • 31 Women, Whitney Modern, Los Gatos, CA (curated by Marianne McGrath, art historian, curator, art consultant and educator, Los Gatos, CA; with Karen Gutfreund, artist, activist, curator, Yosemite, CA; and Suzanne Whitney-Smedt, owner/director, Whitney Modern, Los Gatos, CA) (2020) (catalogue)
  • Bay Area Clay: A Legacy of Social Consciousness, Pence Gallery, Davis, CA (curated by Lisa Reinertson, artist, Davis, CA) (2018) (catalogue)
  • Deconstructing The Conversation, National Council on Education for the Ceramic Arts (NCECA) Exhibition, Morgan Contemporary Glass Gallery, Pittsburgh, PA (2018)
  • Sculptural Objects Functional Art (SOFA) Chicago, IL (2012-2015, 2017-2019, 2022) (upcoming)
  • Bay Area Clay, A Legacy of Social Consciousness, National Council on Education for the Ceramic Arts (NCECA) Exhibition, The Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, OR and Arts Benicia Gallery, Benicia, CA (curated by Lisa Reinertson, artist, Davis, CA) (2017) (catalogue)
  • Go Figure ~ The Human Body in Clay, The Potters' Studio, Berkeley, CA (2017)
  • Omnus Terra, NCECA Gallery 114, Portland, OR (2017)
  • Body Language, Ice House Gallery, Petaluma, CA (2017)
  • 7th Annual Art of Painting in the 21st Century: Exhibition, with Solo Exhibition by Avery Palmer and Kristen Napier, John Natsoulas Gallery, Davis, CA (2016) (catalogue)
  • La Nino, SMAart Gallery & Studio, San Francisco, CA (2016)
  • Brea Invitational Glass and Ceramic Exhibition--ACGA, City of Brea Art Gallery, Brea, CA (curated by Mary Bayard White for glass, artist/educator, Oakland, CA, and Lana Wilson for Clay, artist/writer, Berkeley, CA) (2015)
  • Cross Pollination, Art Ark Gallery, San Jose, CA (2015)
  • Oakland Museum Art Guild Studio Tour, Oakland, CA (2014)
  • California Style, John Natsoulas Gallery, Davis, CA (2013)
  • Figuratively Speaking, SMAart Gallery & Studio, San Francisco, CA (curated by Steven Allen, artist, San Francisco, CA) (2013-2015)
  • Body language, Figures in Clay, Skyline College Art Gallery, San Bruno, CA (2013)
  • Ceramics Annual of America, Fort Mason, San Francisco, CA (2010-2012)
  • ACGA Exhibition, The Museum of Art and History, Santa Cruz, CA (2011)
  • Transcendent, Pence Gallery, Davis, CA (curated by Kathleen Hanna, artist, Petaluma, CA) (2010)
  • Innovations in Contemporary Craft, Richmond Art Center, Richmond, CA (2010)
  • People’s Choice Award Las Cadre - 21st Century Groove, Pacific Grove Art Center, Pacific Grove, CA (2010)
  • Firing a Legacy: David Kuraoka & San Francisco State University, Pence Gallery, Davis, CA (2009)
  • Las Cadre: Craft Masters, Richmond Art Center, Richmond, CA (2009)
  • Community Clay, College of Marin Fine Arts Gallery, Kentfield, CA (2009)
  • Exploring the Surface, Pence Gallery, Davis, CA (2008)
  • Indoor Sculpture Competition, City of Santa Clara, CA (2007) First Place Award
  • Sculpture Competition, City of Santa Clara, CA (2006) Second Place Award
  • Strange Days, Pacific Rim Sculptors Group, The Atrium Gallery, San Francisco, CA (2005)
  • Garden Gallery Walk, Yerba Buena Center for the Arts, San Francisco, CA (1994-1998)
  • California Clay Competition, The Artery, Davis, CA (1993-1997)
  • Delirium, OPTS Arts, San Francisco, CA (1994)
  • West Coast Clay: The New Breed, California Crafts Museum, San Francisco, CA (1993)
  • Manifestazione Ceramica, Savona, Italy (1990)

Selected Awards and Honors
  • Indoor Sculpture Competition, City of Santa Clara, CA (2007) First Place Award
  • Sculpture Competition, City of Santa Clara, CA (2006) Second Place Award
  • Outstanding M.F.A. Candidate, Art Department (1994)
  • University of California, Santa Cruz Chancellor’s Grant (1983)

Residencies
  • Susan Cooley-Gilliom (SCG) Artist in Residence and Teaching (ART) Program, Blue Line Arts, Roseville, CA (2018)

Professional Associations and Experience
  • Art Axis, member (2015-present)
  • Juror, Figure, Epperson Gallery, Crockett, CA (2023)
  • Juror, ACGA:Ceramics in Focus, Blue Line Arts, Roseville, CA (2018)
  • Juror, Off Center, 2nd Annual International Clay Competition, Davis Arts Center, Davis, CA (2018)
  • Board of Directors - Association of Clay and Glass Artists (ACGA) (2008-2014)
  • Juror, California Clay Competition, CCACA, Artery, Davis, CA (2013)
  • Palm Ceramics - Design and production of one of kind tableware (1993-2015)
  • National sales - include Whitney Museum Store, L.A. County Museum Store
  • International sales - Japan, France, and Canada

Margaret Keelan

Educational Background

1976 M.F.A., University of Utah, Salt Lake City, Utah
Area of Emphasis: Ceramic Sculpture

1970 Advanced B.A., University of Saskatchewan, Saskatoon, Canada
Area of Emphasis: Fine Arts

Awards
2009   Purchase Award, NCECA 2009 National Biennial Exhibition
1998   Honorable Mention, Ceramic Viewpoint ’98, Hyde Gallery, El Cajon, CA
1997   Merit Award, Feats of Clay, Lincoln, CA
1996   Merchandise Award, Ceramics in Northern California, Walnut Creek, CA
1988   Gold Medal, "Going for Gold" (A National Exhibition), Calgary, Canada
1978   Canada Council Short Term Grant
1975   Canada Council Arts Grant
1974   Saskatchewan Arts Board Grant
1974   Canada Council Arts Grant
1973   Saskatchewan Arts Board Grant

Publications
"500 Figures in Clay, Volume 2", 2014, Lark Books
"Ceramics and the Human Figure", Edith Garcia, 2012, A & C Black Publishers Ltd.
"A Human Impulse Figuration: from the Diane and Sandy Besser Collection", 2008,
– – – – -– –– Arizona State University Art Museum Ceramics Research Center
"Margaret Keelan • Profile" Cheryl Coon New Ceramics, The European Ceramics Magazine, May/June 2011
“Confrontational Ceramics”, Judith Schwartz, 2009, University of Pennsylvania Press, Philadelphia
“Illuminations, Ones To Watch, Margaret Keelan",
 Western Art and Architecture, Winter/Spring 2008, Vol. 2, No. 1
“Wild Apples”, Spring 2008, Issue 1
“Margaret Keelan's Intimate and Universal Stories”, December 2007, Number 70
“500 Figures in Clay: Ceramic Artists Celebrate the Human Form", 2004, Lark Books, Ashville, NC
“Contemporary Ceramics”, Susan Peterson, 2000, Prentice Hall, Englewood Cliffs, NJ
“Working With Clay”, Susan Peterson, 2000, Prentice Hall, Englewood Cliffs, NJ
“A Female Form, The Sculpture Techniques of Margaret Keelan”, Ceramics Monthly, September 1999, Volume 47, Number 7
“The Craft and Art of Clay", 2nd & 3rd Editions, Susan Peterson, 1995, 1999, Prentice Hall, Englewood Cliffs, NJ
“Sculpting Clay”, Leon I. Nigrosh, 1991, Davis Publications, Worcester, MA
“Contemporary American Woman Sculptors”, 1986, Oryx Press, U.S.A.
“American Ceramics”, Spring 1984, Volume 11, Number 4
“Keramik der Welt”, Gottfried Borrman, 1984, Verlag San Stalt Handwerk, Germany
“Images in Clay Sculpture”, Charlotte F. Speight, 1983, Harper and Row, U.S.A.


Selected Exhibitions
2015    The September Show, group show, Abrams Claghorn Gallery, Albany,CA
2015    Figuratively Speaking, group show, SMAart Gallery San Francisco, CA
2015    Bodies and Beings, group show ,Abmeyer and Wood Seattle, CA
2015    Fanciful Histories, solo show, Gail Severn Gallery Sun Valley ID
2015    Bark, Group Exhibition, John Natsoulas Gallery Davis CA
2015    Honoring the Past, Embracing the Future, American Museum of Ceramic Art
                10th Anniversary Show Pomona, California
2014    Solo show, Roscoe Ceramic Gallery Oakland CA
2014    Some Pretty Interesting Characters: Works From the RAM Collection, Racine Art Museum, Racine, WI
2013    The Essential and the Ephemeral, solo show, Gail Severn Gallery Sun Valley ID
2013    Margaret Keelan, New Selections, Duane Reed Gallery, St Louis MI
2012    Preview, 2013, Gail Severn Gallery, Ketchum, Sun Valley, ID
2012    Red Dot Art Fair, Duane Reed Gallery, Miami, Florida
2012    SOFA Chicago, Duane Reed Gallery, Chicago, IL
2012    Ecumene: Global Interface in American Ceramics, Santa Fe, NM
2012    Figurative Works in Clay, Grover Thurston Gallery, Seattle, WA
2012    Push Play, NCECA Invitational, Bellevue Art Museum, Bellevue, WA
2011    Doceo Argilla “I teach clay”, An Exhibition of Ceramic Educators of California, Sonoma Community Center, Sonoma, CA
2011    Margaret Keelan, Myth and Memory, Gail Severn Gallery Ketchum, ID
2011    SOFA New York, Daune Reed Gallery New York, New York
2010    To Die For, Projects Gallery, Philadelphia, PA
2010    Transcending the Figure: Contemporary Ceramics, Dairy Barn Art Center, Athens, OH
2010    The Tame and the Wild, Pacini Lubel Gallery, Seattle, WA
2010    New Work by Gallery Artists, Bergelli GAllery, Larkspur, CA
2010F    ADA 15th Annual LA Art Show, John Natsoulas Gallery, Los Angeles, CA
2009    Margaret Keelan and James Tisdale, Pacini Lubel Gallery, Seattle, WA
2009    SOFA West Santa Fe, Duane Reed Gallery, Santa Fe, NM
2009    NCECA 2009 National Biennial Exhibition, Ceramics Research, Center / ASU Art Museum, Tempe, AZ
2009    SOFA New York, La Coste Gallery, New York, NY
2009    Old Stories, New Dreams, (Solo Show) Duane Reed Gallery, St. Louis, MO
2009    Palm Beach 3, Duane Reed Gallery, Palm Beach, FL
2008    Confrontational Ceramics, curated by Judy Schwartz, Westchester Arts Council, White Plains, NY
2008    Margaret Keelan and Joey Chiarello, Pacini Lubel Gallery, Seattle, WA
2008    The Grand Ceramics Theatre, Representatives of the California School,
                 International Museum of Applied Arts Today, Turin, Italy
2008    SOFA, New York, Lacoste Gallery, New York, NY
2008    Margaret Keelan: Intimate and Universal Stories, Lacoste Gallery, Concord, MA
2008    A Human Impulse: Figuration from the Diane & Sandy Besser Collection, Arizona State University Art Museum, Tempe, AZ
2007    Seven Deadly Sins, Santa Fe Clay, Santa Fe, NM
2007    A Human Impulse: Figuration From the Diane & Sandy Besser Collection, Arizona State University Art Museum, Tempe, AZ
2007    All of It, Armstrong Gallery, Pomona, CA
2007    Northwest Ceramics Invitational, Turman Larison Contemporary, Helena, Montana
2007    Form and Imagination, Women Ceramic Sculptors, American Museum of Ceramic Art, Pomona, CA
2007    SOFA, New York, Lacoste Gallery, New York, NY
2007    Thirty Ceramic Sculptors, John Natsoulas Gallery, Davis, CA
2007    Dirty Dozen, Richmond Art Center, Richmond, CA
2007    Agape, Santa Fe Clay, Santa Fe, NM
2006    Tell Me a Story, Santa Fe Clay, Santa Fe, NM
2006    SOFA Chicago, Lacoste Gallery, Chicago, IL
2006    Group Show, Pacini Lubel Gallery, Seattle, WA
2006    SOFA NY, Lacoste Gallery, New York, NY
2006    30 Ceramic Sculptors, John Natsoulas Gallery, Davis, CA
2006    NCECA Interpreting the Figure, Lawrence Gallery, Portland, OR
2006    Small Favors, The Clay Studio, Philadelphia, PA
2006    30 Ceramic Sculptures, John Natsoulas Gallery, Davis, CA
2005    Vanitas: Transient Treasures, Lacoste Gallery, Concord, MA
2005    Local Voice: Defining Community Through Art, Bedford Gallery, Walnut Creek, CA
2005    Regina Clay: Worlds in the Making. Traveling show to Museum London, London, Ontario; Burlington Art Centre, Burlington, Ontario; MacKenzie Art Gallery,                    Regina, Saskatchewan; Kelowna Art Gallery, Kelowna, British Columbia, Canada
2005    Transformation of a Model, Louis Pohl Gallery, Honolulu, HI
2005    30 Ceramic Sculptures, John Natsoulas Gallery, Davis, CA
2005    35th Annual Ceramics Exhibition, Crossman Gallery, University of Wisconsin-Whitewater, Whitewater, WI
2004    Edgy Characters, University of Indianapolis, NCECA Conference, Indianapolis, IN
2003    Mastery in Clay, The Clay Studio, Philadelphia, PA
2003    30 Ceramic Sculptures, John Natsoulas Gallery, Davis, CA
2003    Northern California Clay, NCECA Conference
2002    Mastery in Clay: New Work. Exhibition and Auction, The Clay Studio Philadelphia, PA
2002    Turf: West Contra Costa County Artists Richmond, CA
2002    Open Craft and Sculpture Show Ross, CA
2002    Spirit of the Ancients, The Clay Studio Philadelphia, PA
2001    Spirit of the Ancients, Baltimore Clayworks Baltimore, MD
2001    30 Ceramic Sculptors, John Natsoulas Davis, CA
2001    NCECA Clay National Exhibition Charlotte, NC
2001    ConFIGURation, Solo Show, Moreau Galleries South Bend, IN
2000    10th Annual Figurative Invitational Exhibition, Miller Gallery New York, NY
2000    SOFA Chicago, Miller Gallery Chicago, IL
1999    San Francisco Academy of Art College Fine Art Faculty Show San Francisco, CA
1998    American Craft Gallery New York, NY
1998    "Ceramic Viewpoint ’98," Hyde Gallery El Cajon, CA
1997    "Imag-in Clay, Plaster, Concrete," Joan Roebuck Gallery Lafayette, CA
1997    "Feats of Clay" Lincoln, CA
1997    San Francisco Academy of Art College Fine Art Faculty Show San Francisco, CA
1996    Solo Show, The Clay Studio Philadelphia, PA
1996    Eleventh Annual San Angelo National Ceramic Competition San Angelo, TX
1996    Shoestring Gallery 25th Anniversary Reunion Exhibition, AKA Gallery, Saskatoon, Canada, Rosemont Art Gallery Regina, Canada
1996    "Ceramics in Northern California," Bedford Gallery Walnut Creek, CA
1995    "Exploring Movement: Feminist Visions in Clay," Wignall Museum/Gallery Rancho Cucamonga, CA
1995    "Animals and Artists," Joan Roebuck Gallery Lafayette, CA
1995    "From Home Space to Art Space," Bedford Gallery Walnut Creek, CA
1995    "Contemporary Art with Antique Furniture," Joan Roebuck Gallery Lafayette, CA
1995    "All Saints All Souls," Falkirk Gallery San Rafael, CA
1995    "Fired Clay," Bolinas Museum Bolinas, CA
1995    One-Person Show, Ziggy’s Art Gallery Benecia, CA
1995    "California Clay Competition," The Artery Davis, CA
1994    Prime Gallery Toronto, Canada
1994    "1st Annual Currents Competition," Lill Street Gallery Chicago, IL
1994    "Fine Art Faculty Show," Academy of Art College Sculpture Center San Francisco, CA
1994    "Sculpture, 1994," Joan Roebuck Gallery Lafayette, CA
1994    "Art at Terminal 3," Lester B. Pearson Airport Toronto, Canada
1994    "Hats Off," Dublin City Center Dublin, CA
1994    "Ceramics Now 1994 Exhibition," Downey Museum of Art Downey, CA
1993    "A Taste of the Claridge Collection" Waterloo, Canada
1993    "Celebrating Craft," Joan Roebuck Gallery Lafayette, CA
1993    "Albany Arts Gallery Group Show," Albany Arts Gallery Albany, CA
1992    "Saidye Bronfman Centre 25th Anniversary Exhibition—Just a Taste, of the Claridge Collection, Saidye Bronfman Centre Montreal, Canada
1992    "Opening Show," Joan Roebuck Gallery Lafayette, CA
1992    "California Clay," The Artery Davis, CA
1992    "Seventh Annual San Angelo National Ceramic Competition,"San Angelo Museum of Fine Arts San Angelo, TX
1991    Visiting Ceramic Faculty Exhibition, San Francisco State University San Francisco, CA
1991    "BACA 7th Annual Juried National," Berkeley Art Center Berkeley, CA
1991    Billingsgate Gallery Wellfleet, MA
1991    "The 2nd and 3rd Dimension in Clay," Art Store Gallery Oakland, CA
1990    "Clay and Canvas," The Franklin Silverstone Gallery at Olga Karper’s Toronto, Canada
1990    "Canadian Contemporary Ceramics," Kunst Klubben Gallery Oslo, Norway
1990    The Sybaris Gallery Royal Oak, MI
1989    "A Breadth of Canadian Life," Gallerie Franklin Silverstone Calgary, Canada
1989    One-Person Show, Gallerie Franklin Silverstone Montreal, Canada
1989    "Clay—A Feminine Perspective," Muckenthaler Cultural Center Fullerton, CA
1988    "Going for Gold" (A National Exhibition) Calgary, Canada
1988    Group Show (Bill Abright, Margaret Keelan, Mike Moran), Susan Cummins Gallery Mill Valley, CA
​
Teaching Experience
1997–present – Associate Director of Sculpture San Francisco, CA, Academy of Art University
1998-present – Expression & Composition, Graduate Level Class San Francisco, CA, Academy of Art University
1994-present – Introductory Ceramics, San Francisco Academy of Art College San Francisco, CA
1994-present – Ceramics; Independent Study, Ceramics Sculpture, San Francisco, Academy of Art University
1994 – "Clay as Play," Summer Ceramics Class, Studio One Oakland, CA
1991 – Advanced Ceramics and Figure Sculpture, San Francisco State University San Francisco, CA
1984-1985  – Figure Sculpture, Richmond Art Center Richmond, CA
1984 – Figure Sculpture, Summer Session, Walnut Creek Arts Education Center Walnut Creek, CA
1977 – Ceramic Sculpture, University of Saskatchewan Saskatoon, Canada
1976 – Beginning Wheel Throwing, University of Utah Salt Lake City, Utah
   
Collections
Elizabeth Sackler
Claridge Collection, Montreal, Canada
Fred Marer, California
Loyola College, Maryland

Sandy Besser, New Mexico

Mattie leeds Artist StatementMattie’s work is bold, colorful and expressive. The pieces are large—many over 5 feet tall, and the sheer volume of their surfaces gives him a freedom that the two dimensional surface of a canvas lacks. The bold figurative schemes dance around a surface that has no beginning and no end, but is a continuous statement as the viewer circles the object. Like free-standing sculpture, every side is lucious. Some of the pots speak of the 10 years he spent studying Chinese painting and calligraphy, while others are a montage of figures and design, merging colors and emotion.
Most of his ideas come out of life drawing with models. “Something about the individual suggests a theme to me. The way they sit, what they wear, the stories they tell, their personalities, all these things draw me towards compositional ideas.” Drawing with charcoal directly upon the pot’s surface, He is able to capture something of the essence of the model’s persona.
He is creating pots that stand on their own as artistic statements in a way that is new and unique, but with an aesthetic that asks questions of classical art. Painted with five layers of glazes, the designs are usually figurative but are rendered with a love for the Modernists. “Using Modernism I can paint my reaction to my environment and the time that I live in.”

Peggy Loudon:
Bio
As a child I dreamed of growing up to be a writer. Intrigued by the heroics of Nancy Drew and her chums, I was lured into the world of solving crimes, discovering the hidden treasure map, or rescuing the desperate widow from her greedy ne'er-d o-well nephews; however, a summer school pottery class at my local community college changed my plans and ultimately decided my future.

I fell in love with the tactile qualities of clay - malleable in the wet state, rock hard and functional after being fired- I continued my studies, graduating from the University of California at Santa Cruz earning a degree in Community Studies with an emphasis in Art Therapy - worked at a state mental hospital, then later traveled to Europe. While in Florence, I made a conscious decision that upon my eventual return to the States, I would focus all my energy on becoming a potter.

I enrolled at Humboldt State University where I continued to hone my skills in centering, throwing, glazing, firing and most importantly, developing a critical eye. I was hired to fire kilns, which gave me the experience and confidence I needed to eventually leave the security of the college environment.
​
As a fledgling potter, I worked part time and threw pots during all of my spare time, working in several local pottery studios before building my own shop. I currently work out of my home in an attached two-car garage. After over twenty five years of wedging, centering, throwing, and trimming clay, then glazing and firing the pots, I still find the process fascinating, challenging and rewarding. I may not be writing about nabbing villains, but my life is equally exciting.

Read an in depth interview with me at Handful of Salt.

Exhibits and Shows
Smithsonian Craft Show, Washington DC, 2011
Washington Craft Show, Washington DC, 2010
Connections, Weyrich Gallery, Albuquerque, NM 2010
Threshold, Piante Gallery, Eureka, CA 2010
14 Feet, Healdsburg, CA 2010
American Craft Council, San Francisco, CA 2003-2011
First Street Gallery, Regional Invitational, Eureka, CA 1998-1999, 2003-2010
Humboldt Artisans, Eureka, CA 1983-2010
Beaux Zoo - First Street Gallery, Eureka, CA 2008
Sausalito Arts Festival - Sausalito, CA 2005 Ceramics 1st place, 2005-2008
Affaire in the Garden, Beverly Hills, CA 2008
American Craft Council, Baltimore, Maryland 2007
Smithsonian Craft Show, Washington DC 2003, 2004, 2005
Philadelphia Museum of Art Craft Show 2005
California Transformation, Gumps, San Francisco, CA 2004
Mill Valley Fall Arts Festival, Mill Valley, CA 2001-2003
Bellevue Art Museum, Bellevue, Washington 2003
Gallery Dog, Eureka, CA 2001
Ignited, Plaza Design, Arcata, CA 1997
Inner River, Humboldt Arts Council, Eureka, CA 1996
Tribute to Peggy Loudon, Candy Stick Gallery, Ferndale, CA 1994
Candy Stick Gallery, Ferndale, CA July 1993
Plaza Design, Arcata, CA July 1991
Art Center Summer Ceramic Invitational , Eureka, CA 1990

Education
Post Graduate Education, Ceramics Studies, Humboldt State University, Arcata, CA 1975-1983
Bachelor of Arts, Community Studies, University of California, Santa Cruz, CA 1974
College of the Redwoods, Eureka, California Undergraduate Pottery, 1970-1972
CollectionsCollege of the Redwoods, Eureka, CA
Morris Graves Museum of Art, Eureka, CA,
San Jose Museum of Modern Art, San Jose, CA
My work has been purchased and has traveled to many parts of the world including: Japan, Australia, Norway, Italy, France, Scotland, Ireland, Mexico, Germany and Sweden.

Teaching
Fire Arts Center, Beginning to Advanced Ceramics, Arcata, CA 1999-present
Ceramics workshop, Humboldt State University 2005
North coast Cultural Trust Grantee, California 2002
Arts in the Afternoon Teen Outreach, Co-Coordinator Arcata, CA 2000-2002
Artist-In-Residence, California Arts Council 2000-2001
Wheel Throwing and Glazing, Humboldt State University, 1994
Lab Assistant and Kiln Firer, Ceramics Department, Humboldt State University, 1979-1983
Recreation Therapist Intern, Napa State Hospital, California 1974

 Awards and Recognition
Victor Jacoby Award 2010
American Craft Council Award of Excellence, Booth Design, 2010
Ceramics Today, Schiffer Books, 2010
Niche Award Finalist 2006
First Place Ceramics, Sausalito Arts Festival, 2005

Kris Marubayashi
​

​Bio
Marubayashi is a sansei (third generation Japanese-American) based in Sacramento, Calif. She hails from a family of artists, which include her architect/landscape architect father and her mother who was trained in decorative arts. Marubayashi received her B.A. in studio art from San Francisco State University, and has taken workshops with Toshiko Takaezu, Ken Matsuzaki, Michael Sherrill, and others. She pursued a career in education but returned to clay in 2005 after a 30 year break.
Marubayashi uses a mid-fire clay to create highly textural sculptures often resembling geologic formations or wood. While still focused on creating with clay, she continues to explore the usage of paper clay, wood, and metal.

Marubayashi has participated in the American Craft Council shows held in San Francisco and St. Paul. In 2013, 2014, and 2016 Marubayashi was one of nine artists selected to display in a designer created mini- room at the ACC. In 2018, she won “Best of Ceramics” at Sun Valley Center Arts and Crafts Festival, and an award of merit at CraftForms 2018. In 2017, she was named one of ten top California ceramicists. In 2019, she was selected to participate in the Sasama ICAF ceramics festival in Japan. Her work continues to be shown at the Ren Brown Collection.
​

Lisa Reinertson:
EDUCATION

1984     M.F.A. University of California, Davis
1982     B.A., University of California, Davis
1983     Skowhegan School of Painting and Sculpture

TEACHING EXPERIENCE
2012-16     San Francisco Art Institute, Adjunct Professor, Ceramic Sculpture
2009-18     Diablo Valley College, Lecturer, Ceramics, Figure Sculpture
2007-08     U C Berkeley, Lecturer, Ceramic Sculpture
2004-15     Solano Community College, Lecturer, Ceramics, Figure Sculpture
2004          College of Marin, Adjunct Professor, Ceramic Sculpture        
1997-99     Santa Clara University, Lecturer, Ceramics, Figure Sculpture, Drawing
1987-94     California State University, Chico, Associate Professor, Ceramics and Figure Sculpture
1985-87     California State University, Stanislaus, Lecturer, Ceramics and Drawing  
1984          Louisiana State University, Visiting Artist, Ceramics

PUBLIC ART COMMISSIONS
2022     Joan Didion, Sacramento City Main Library
2020     California Railroad Museum Founder, Denny Anspach, California RR Museum, Sacramento
2019     Neptune’s Daughter, Bronze, City of Benicia, Downtown Waterfront
2019     Pelicans at Rest, Kaiser Permanente, Fremont, CA, Bench Art Collaboration with Jack Ruszel
2017     Sleep of Reason, Gorilla Doctors Organization, UC Davis, Wildlife Health Center
2016     Coach Jim Sochor, Bronze, University of California at Davis, Sochor Stadium
2009     Rosa Parks Commission, finalist, National Statuary Hall, Washington DC 
2007     Mother Earth, Bronze, Suisun Valley, CA
2006        Ohlone , Bronze, Almaden Community Center and Branch Library, San Jose
2005     Baseball Players (’91), Bronze, West Sacramento City Hall
2005     Tin-Can Girls, 911 Dispatch Facility Public Art Project, City of Sacramento
2002     St. Ignatius of Loyola, Bronze, Santa Clara University, CA 
2002     Justice Stanley Mosk, Bronze, California State Courthouse, Sacramento
2001     Cesar Chavez Memorial, Bronze, Chavez Plaza Park, City of Sacramento 
2001      Mother and Child Sculpture Garden, Bronze, Terrazzo, City of Palm Desert
2000     St. Thomas More, Bronze, Santa Clara University, CA
1999     Martin Luther King Memorial, Bronze, City of Riverside, CA
1997     Tevye, Bronze, Ohlone College, Performing Arts Center, Fremont, CA
1996     Senator Dianne Feinstein, Bronze, City Hall, San Francisco
1995     Willie Brown, Jr., Bronze, City Hall, San Francisco
1994     Guam Memorial /March to Manengon, Bronze, Guam
1994      Valley Harvest, Bronze, Centennial Commission for City of Vacaville 
1992     John Shelley, Bronze, City Hall, San Francisco
1992     Mother and Child, Bronze, UC Medical Center, Sacramento
1991     Dogs Playing, Bronze, UC Medical Center, Sacramento,
1989     Martin Luther King, Jr., Bronze, City of Kalamazoo, Michigan 
1987     Martin Luther King, Jr., Ceramic, King Hall Law School, U.C. Davis

MUSEUM EXHIBITIONS
2023     Racine Museum of Art, Vignettes: Concentrated Views of RAM’s Collection, Wisconsin
2022     American Museum of Ceramic Art, Breaking Ground: Women in California Ceramics
2021     Crocker Art Museum, Wolf Rider, Permanent Collection, exhibiting in Contemporary Art Wing 
2018     Haggin Museum, Stockton, Full Sun: American Women Artists Illuminate the Haggin
2017     Sonoma Valley Museum of Art, Forge and Stone; Contemporary California Women Sculptors
2014     American Museum of Ceramic Art, Pomona, CA, Large As Life: Betty Davenport Ford, Elaine Katzer, Lisa Reinertson
2014     Turtle Bay Art Museum, Redding, CA, Good Dog; Art of Man’s Best Friend
2010     Crocker Art Museum, New Works
2008     The Grand Ceramics Theatre, Museo Internazionale delle Arti, Turino, Italy
2005       Cantor Arts Center, Stanford University, Fired at Davis/Figurative Ceramic Sculpture
2005     Euphrat Museum, Shared Passions
1999     The Charles Wustum Museum of Fine Arts, WI, The Nude in Clay
1997     Museo Internationale Della Ceramica, Faenza, Italy, Ceramic Invitational
1996     Oakland Museum Sculpture Court, Bay Area Sculptors
1996     Wignall Museum; Downey Museum of Art; Loyola Marymount University, Exploring a Movement: Feminist Visions In Clay, 
1993     Honolulu Academy of Arts, First Annual Pacific Rim Sculpture Conference
1993     California Crafts Museum, San Francisco, West Coast Clay Movement
1990     IV Concorso Nazionale Della Ceramica D’Arte, Savona, Italy
1990     National Museum of Ceramic Art, Maryland, American Ceramic Sculpture
1988     Midwest Museum of American Art, Indiana, Ross Turk Collection 
1984     Crocker Art Museum, Sacramento, CA, 59th Annual Crocker-Kingsley

SOLO EXHIBITIONS
2020     Borderlands / Lisa Reinertson, Epperson Gallery, Crockett, CA
2015     Sentient Beings / Lisa Reinertson, Roscoe Ceramic Gallery, Oakland, CA
2013     Edge of Extinction / Lisa Reinertson, Pence Gallery, Davis
2013     Life Observed / Lisa Reinertson, SMAART Gallery, San Francisco
2012     Life on Earth, Lisa Reinertson/Sculpture, Lee Wilder Snider/ Paintings, Gallery 621, Benicia 
2005     Lisa Reinertson, A Selected Survey, Natsoulas Gallery, Davis, CA 
1997     Lisa Reinertson, Santa Clara University, CA
1997     John Natsoulas Gallery, Davis, CA
1992     James Snidle Gallery, Chico, CA
1991     Natsoulas/Novelozo Gallery, Davis, CA
1990     Reynolds Gallery, University of the Pacific, Stockton, CA
1989     Introductions/ Lisa Reinertson, Dorothy Weiss Gallery, San Francisco, CA
1987     The University Art Gallery, California State University, Chico
1987     Himovitz/Solomon Gallery, Sacramento, California
1986     Lisa Reinertson, Southern Exposure Gallery, San Francisco, California
1984     University of California, Davis, Nelson Gallery

SELECTED INVITATIONAL EXHIBITIONS 
2022     Terracotta Corridor: An Exhibition of 21 Monumental Clay Sculptures, Napa Rail District
2022     Pervasive Innovation: Ceramic Sculpture in Northern California, Carnegie Arts Center, Turlock, CA 
2022     Pay Dirt, Blue Line Arts Gallery, Roseville, CA
2022     Tap Roots: Ceramic Artist Educators of California, Arts Benicia and Epperson Gallery
2021     Lisa Reinertson and Francois LeClerc, Epperson Gallery. CA
2020     Clay (&c), Petaluma Art Center, Petaluma, CA
2018     Natural Affinity/California Women in the Landscape, Public Art In Sonoma Plaza
2017     Bay Area Clay: A Legacy of Social Consciousness, Hoffman Gallery, Lewis and Clark College,
                 NCECA Conference, Arts Benicia, and the Pence Gallery, Davis. Curated by Lisa Reinertson
2016     Bay Area Contemporary Ceramic Sculptors, Cosumnes River College Art Gallery
2016     The Great California Art Movement / UC Davis Faculty and Alumni, Natsoulas Gallery
2016     Sculpture in the Garden, Sam Maloof Foundation, Claremont, CA
2014     Dynamic Narratives, National Association of Women Artists, N.Y.
2013     Bedford Gallery, Peaceable Kingdom, Walnut Creek, CA
2013     NCECA, Houston, Dynamic Narratives
2012     Ecumene: Global Interface in American Ceramics, Santa Fe, NM
2012     Large Scale Ceramics, Cal Shakes Outdoor Sculpture Exhibition, Orinda, CA
2011     Santa Fe Clay, Summer Artist Exhibition
2010     Ceramics Annual of America, Fort Mason, S.F.
2009     Faculty Exhibition, Diablo Valley College
2009     NCECA Conference, Tempe Arizona,  Natsoulas Gallery Exhibition
2007     Northwest Ceramics Invitational, Turman Larison Gallery, Helena, Montana
2004     UC Davis Memorial Union Gallery, Eve Aesthetic, Figurative Art from TB-9
2003     NCECA Conference, San Diego, Northern California Ceramics
1999     Contemporary Art/ Daniel Jacobs Collection, Hand Workshop Art Center, Richmond, VI  
1998     Perimeter Gallery, Chicago
1997     Air Gallery, London, England, Up Against It
1994     Tulane University, New Orleans, Louisiana, Presence and Scale
1991     NCECA Conference Exhibition, Tempe, Arizona
1991     TB-9, curated by Robert Arneson, Natsoulas Gallery, Davis
1990     Claremont College, 46th Annual Scripps Ceramics Show
1989     Contemporary Ceramics: The Artists of TB-9, CSU Fullerton, Elaine Levin, curator
1987     San Francisco Arts Commission Gallery, Mother Earth
1985     Richmond Art Center, Sacramento/Davis Interface
1985     Southern Exposure Gallery, S.F., CA., Content Art: Contemporary Issues 
1985     National Arts Club, New York, Catherine Lorillard Wolfe 89th Annual 
1984     Louisiana State University, Union Art Gallery, Art Faculty Exhibition

SELECTED BIBLIOGRAPHY
Terracotta Corridor: Mission Clay Art and Industry Program Catalog, Abby Wasserman, editor, 2023
Breaking Ground: Women in California Clay, American Museum of Ceramic Art Exhibition Catalog, Beth Ann Gerstein, Jo Lauria, 2022
The Figure in Clay, (Image), Cristina Cordova, 2022
Lisa Reinertson, Artist biography and monograph, Natsoulas Press, 2021
Full Sun: American Women Artists Illuminate the Haggin Museum, 2018, Catalog
Time Magazine, Inside the Push for More Public Statues of Notable Women, photo, Aug. 2017
Bay Area Clay: A Legacy of Social Consciousness, 2017, Exhibition Catalogue
Sacramento Bee, Sculpture Informs Their Powerful Messages, Victoria Dalkey, 2013
Ceramic Art and Perception, Lisa Reinertson; Edge of Extinction, issue 94, 2013
Lisa Reinertson: Edge of Extinction, exhibition catalog, 2013
500 Figures in Clay, vol. 2, Lark Publishing
Good Dog; Art of Man’s Best Friend, Turtle Bay Museum of Art, exhibition catalogue, 2013
Ecumene: Global Interface in American Ceramics/ National Exhibition, Santa Fe, catalogue, 2012
The Art Collection of UC Davis Health Care System, by Susan Willoughby, 2012
Artemis Sculpt: The Art of Lisa Reinertson, Jessa Berkner, 2011
Lisa Reinertson, A selected survey of Artist’s work/ essay by Joan De Paoli, John Natsoulas Press, 2005
Fired At Davis/Figurative Ceramic Sculpture, Cantor Arts Center, Stanford University, 2005
Ignatius: Holy Man of the Renaisance, Statue of St. Ignatius, Micheal Pastizzo, Santa Clara Magazine, 2004
Art/Ethics: Reframing the Ethics and Aesthetics of Judgment, Estella Lauter, Univ. of Tennessee, 2001
March for Justice Cast in Memory, Dorothy Korber, Sacramento Bee, 2001 (Chavez Memorial)
Working With Clay, Susan Peterson, Prentice Hall, 1999
Artworks For Elementary School Teachers, Herberhoz, Mc Graw Hill Publishing, 1998    
The Evocative Object, Ceramics Art and Perception, by Mark Messenger, 1998
A Fire For Ceramics, Garth Clark and Suzanne Foley, 1998
The Nude In Clay, Exhibition Catalogue, 1998
Mostra Mercato della Ceramica Artistica, Museo Internationale della Ceramica, Faenza, Italy, 1997
New York Times, Week In Review, Michael Wines, May 1997
Exploring a Movement: Feminist Visions in Clay, Exhibition Catalogue, 1995.
Artweek,  photo, (Guam Commission) 1994
An Encyclopedia of Twentieth Century North American Women Artists, Garland Publishing, New York and London, Jules Hetland, 1992.
Sculptural Perspectives for the Nineties, Exhibition Catalogue, 1991
Ceramics Monthly, Carolyn Crane, Up Front, 2nd Annual California Conference, 1991.
Contemporary Ceramics: The Artists of TB-9, Elaine Levin, Exhibition Catalogue, 1989
Contemporary American Craft Art/A Collector’s Guide, Barbara Mayer, 1988 p. 65, Peregrine Smith 
Contrapposto, 1988,  Art  Journal, California State University, Chico, 
Kalamazoo Gazette, Craig, Thomas, King In Bronze and Stone, Sept. 4, 1989
Artweek, Saunthy Singh,  Lively Ceramic Sculpture, September, 1986
Ceramics Monthly, photo, August 1995  
Sacramento Bee, Ellen Schlesinger, May 5, 1984            
San Francisco Chronicle, Datebook, photo, August 22, 1982

SELECTED WORKSHOPS
2019     La Meridiana School of Ceramics Workshop, Tuscany, Italy
2019     Sonoma Valley Art Center Workshop
2018     San Miguel de Allende Ceramic Workshop, Estudio Paloma, Mexico
2017     La Meridiana School of Ceramics Workshop, Tuscany, Italy 
2016     Santa Cruz Mountain Art Center Workshop
2016     Quyle Kilns Workshop, Murphy’s, CA
2015     Sierra Nevada College Workshop, Lisa Reinertson and Michelle Gregor
2014     Todos Santos Workshop, Lisa Reinertson and John Toki, Mexico
2011     Santa Fe Clay Summer Workshop          
1992     Chicago Art Institute, Visiting Artist 
1991     Kansas City Art Institute, Visiting Artist 

SELECTED LECTURES/JUROR/CURATORIAL
2022     Tap Roots / Ceramic Artist Educators of California, co-curated by Lisa Reinertson, Arts Benicia, and Epperson Gallery, 2022 NCECA affiliated exhibition
2022     NCECA Portrait Demo and Lecture, Sacramento Convention Center
2019     Sausalito Arts Festival Juror
2019     Crocker Kingsley Artist Lecture, Crocker Art Museum, Sacramento, CA
2017     Bay Area Clay: A Legacy of Social Consciousness, Hoffman Gallery, Lewis and Clark College,
                 NCECA Conference, Arts Benicia, and the Pence Gallery, Davis. Curated by Lisa Reinertson
2015     Visions in Clay, Exhibition Juror, Delta College Art Gallery
2013     Pence Gallery, “Hope for Endangered Animals” Lecture with Dr. Gilardi of Gorilla Doctors
2011     Santa Fe Clay, Artist Lecture
2011     S.F. Art Institute Colloquium
2010     California College of the Arts
2008     Helena Montana, Turman Larson Gallery, Lecture          
2002     California Conference for the Advancement of Ceramic Art, Artist Lecture, Davis
1997     California Clay Competition, The Artery, Davis, California 
1994     Pacific Rim Sculpture Conference, Lecture, Honolulu, HI
1993     Sacramento Light-Rail Commission, Sacramento, California
1992     Chicago Art Institute, Visiting Artist Lecture
1991     Kansas City Art Institute, Visiting Artist Lecture 
1991     NCECA Conference, Emerging Artist Lecture, Tempe, Arizona
1988     NCECA Conference, Panel discussion, Political Content, with Richard Notkin, Portland

AWARDS
2017     NEA Grant to Arts Benicia for Bay Area Clay Exhibition, curated by Lisa Reinertson 
1992     Professional Achievement Honor, California State University, Chico
1991      Emerging Artist, NCECA
1990     California State Legislative Resolution for Martin Luther King, Jr., Commission
1989     Research Award, California State University, Chico
1985     Grand Central Gallery Educational Association Award, New York
1983     Andy Warhol Award, University of California, Davis

SELECTED MUSEUM COLLECTIONS
American Museum of Ceramic Art
Crocker Art Museum, Sacramento, CA
Arizona State University Art Museum 
Mint Museum of Craft and Design
Racine Art Museum, WI

GALLERY AFFILIATIONS
Winfield Gallery, Carmel, CA
Epperson Gallery, Crockett, CA
Natsoulas Gallery, Davis, CA

OTHER ART RELATED
2021     NCECA Planning Committee Member for Sacramento Conference 2022 
2011     Mission Clay Pipes Project, Phoenix AZ
​2011     Co- founding Member, Gallery 261, Benicia

2002     Marble Carving, Carrara, Italy, Manuel Neri’s studio
Claudia Tarantino:
Statement
I use the unique properties of porcelain to make trompe l’ oeil sculptures that are exquisitely refined and detailed. Hard or soft, textured or smooth, thick or translucent, porcelain as a material allows me to indulge my fascination with surfaces that reflect the patina of time and imply a story. Constructing arrangements that “fool the eye” of the viewer, I try to evoke a recognition of what is common in our experience. That these sculptures are porcelain astonishes viewers and draws them into a desire to touch, to test the illusion.
Mingling familiar imagery and objects that speak to human interaction and relationships conveys my connection with nature, family and my family’s history. Serving and sharing food has been a theme in my work. Growing up in a large Italian family, much of life experience and many lessons learned happened around la tavola, the table, nourishing both body and spirit.
I explore memories, the stepping-stones to who we are, and the association of then and now. Boxes of “stuff” collected and saved, containers and tins of treasures too special to discard, photo albums and journals all link us to the past. We save them, forget them and rediscover them. What we choose to save and how we edit, condense and contain our memories, and those passed on to us, also link us to the future, where we too will become just memories.
My pieces capture moments in time, past and present.
Biography
Claudia Tarantino grew up in San Francisco and received her BA in Art from Dominican College of San Rafael, CA. A two-time recipient of Marin Arts Council Individual Artist Grants, her work is exhibited nationally and her sculptures are in many private collections and museums. Images and reviews of Claudia's work have been published in numerous books and magazines.
Claudia lives in San Anselmo, CA with her husband, artist Bill Abright. They share a spacious studio built under their hillside home. They have two adult sons, Oben Abright and Guston Abright, both artists.
Process
Claudia Tarantino’s work is handbuilt porcelain. She multi-fires the parts with underglaze, glaze, china paint and luster, sometimes using a bit of acrylic to enhance. The parts are assembled and glued post firing.
Laura Van Duren:
Statement
My inquiry is grounded in the science of interoception: the subtle awareness of inner bodily sensations. I am fascinated by how our internal physical states ripple outward, coloring emotional landscapes and filtering our encounters with the world. I transform clay, glycerin, and found objects into an evolving vocabulary—each material a metaphor for tissue and cell, pulse and synapse, the layered interdependence of the body’s systems. Like the architecture of our own flesh, these forms rest in delicate tension, always contingent on one another for meaning and stability.
How do our bodies influence our minds? How does our corporeal wisdom shape our perception of the world? These questions are at the heart of my practice. Through the tactile processes of coiling, casting, and reassembling, I mirror the adaptive, playful negotiation between body and thought—inviting intuition to guide the emergence of each work and allowing the irrational to transcend the rational.
Selected Exhibitions2026
Vessel, Group Exhibition, Transmissions Gallery, Oakland, CA Curator, Suzanne Long
Shake It Up, Kerry Vander Meer & Laura Van Duren, Hammerfriar Gallery, Healdsburg,CA
Ceramic Abstraction, Pence Gallery, Sacramento, CA Curator, Natalie Nelson
2025
House/Hold, Mittie Cuetara & Laura Van Duren, Gear Box Gallery, Oakland, CA
Making Moves: A Collection of Feminism, Crocker Art Museum, Sacramento, CA
2024
A Question of Balance, Pacific Rim Sculptors, Museum of Sonoma County, Santa Rosa, CA
Solo Show, Revelers, Gallery 825, Los Angeles, CA
2023
Pyramid Scheme, Bass & Reiner Gallery, San Francisco, Ca.
Afterimage, Gallery 825, Los Angeles, Ca. Juror-Walter Maciel  
Morphologies, Your Mood Gallery, San Francisco, Ca. Curator- Selby Sohn
2022
Cedar Street Gallery, Berkeley, Ca
Solo Exhibition, Gut Feeling , Transmission Gallery SF, San Francisco, CA
“did you make this, how long did it take?” Jack Fischer Gallery, San Francisco, CA
In Tension, Incline Gallery, San Francisco, CA
Tap Roots: Art Educators of Northern California, Arts Benicia,  Benicia, CA
2021
Constructed Ceramics, Applied Contemporary Gallery, Oakland, CA
 XX@XV: 15th Anniversary, Mercury 20 Gallery, Oakland , CA
2020
Solo Exhibition, Drawn to Resilience, City College of San Francisco Art Gallery
Some Speachless Thing, Berkeley Art Center, Berkeley, CA Juror- Griff Williams
2019
Matter of Form, Shoh Gallery, Berkeley, CA,  Curator- Christine Koppes
Art + Movement, GearBox Gallery, Oakland, CA,  Curator- Maria Porges
2018    
The Open Book Show V, Root Division, San Francisco, CA, Curator- Kate Laster
The Magic of Collaboration, Adobe Art Gallery, Castro Valley, CA, Curator- Leah Virsik
Room for Thought, Space 151, San Francisco, CA, Juried by Jack Fischer
2017
AbstrAction, Marin Museum of Contemporary Art, Novato, CA, Juried by Catherine Clark
Thesis Exhibition, San Francisco State University Fine Art Gallery, San Francisco, CA
2016
Celebrating 40 Years, An Exhibition from Peter Voulkos’ The Dome, Oakland, CA
2015
Stillwell, San Francisco State University Art Gallery, San Francisco, CA
2014
Sky, Bedford Gallery, Walnut Creek, CA, Curated by DeWitt Cheng
2011
Transits and Returns: Alumni Show, Mercury 20 Gallery, Oakland, CA
2010
Solo Exhibition, Not for Sale, Mercury 20 Gallery, Oakland, CA 
Twisted-Chiseled-Fired, Village Art Gallery, Danville, CA, Panel Discussion
2009
Solo Exhibition, Blue Sky, McCue Gallery 83, Orinda, CA
Las Cadre: Craft Masters, Richmond Art Center, Richmond, CA
Solo Exhibition, Confluence, Mercury 20 Gallery, Oakland, CA
Meet the Ironkids, Studio Quercus, Oakland, CA
2008
Pequenitos: A Las Cadre Exhibition, Ruby's Clay Studio, San Francisco, CA
Solo Exhibition, The Dress Form Dialogues, Mercury 20 Gallery, Oakland, CA, 
2007
All Fired Up, City of Santa Clara Sculpture Exhibition, Santa Clara City Hall, CA
Sculpture in the Garden, Ruth Bancroft Garden, Walnut Creek, CA
Two-Person Exhibition, Two Worlds, Mercury 20 Gallery, Oakland, CA, 
2006
Mercury Rising, Tomlinson Gallery, Oakland, CA
100% Centennial: CFA Alumni Exhibition, Regina Gouger Miller Gallery, Carnegie Mellon University, Pittsburgh, PA
2006
Mischief, Cartoons, Characters & Critters, Studio Gallery, San Francisco, CA
2004
Speaking Figuratively, South Western College Art Gallery, Chula Vista, CA
2003
Two-Person Exhibition, Two Ways, Green Shutter Gallery, Hayward, CA
17th Annual Ceramic Sculpture Exhibition, UVSC Woodbury Gallery, Orem, UT
2002
30 Ceramic Sculptors, John Natsoulas Gallery, Davis, CA
BiographySF/Arts Monthly, Gallery Highlights, Article by Mark Taylor, September/October Issue
East Bay Express, “Ragged Wing Comes Home to Nest”, January,14, 2015, Sarah Burke
East Bay Express, “Going the Distance at Swarm, Royal Nonesuch, and Mercury 20”, May 18, 2011, Dewitt Cheng
Contra Costa Times, “Laura Van Duren Creates Art to Share”, September 15, 2010, Andrea Firth
Education2017 MFA, Sculpture, San Francisco State University, San Francisco, CA     
1981 BFA, Studio Art, Carnegie Mellon University, Pittsburgh, PA

TRANSMISSION GALLERY 
OAKLAND

​770 West Grand Ave., Suite A,
Oakland, CA 94612

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Closed Dec 25 and Jan 1

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